Footage reveals mounds of plastic refuse cascading from a colossal wooden steed, surrounded by banner-waving Greenpeace demonstrators . Pedestrians halt to record the six-metre structure outside Konyaaltı’s municipal offices, an allegory of the mythical Trojan Horse designed to highlight the latent environmental cost of polymers , while local sanitation teams clear rubbish from a neighbouring stretch of coast. Produced in partnership with Danish artist Thomas Dambo , the piece targets plastic contamination and the fossil-fuel companies driving its output. According to activist Berk Butan, the sculpture demonstrates how plastics serve as the petrochemical industry's "Trojan Horse", embedding themselves seamlessly into modern life.
We show the main point publicly. Create a free account to continue reading the full article, save it, discuss it, and connect it with market and OSINT context.